
Presented here for your consideration... a short review of the 21 films I saw during the 10 days of the 2008
Toronto International Film Fest. I feel it's worth noting that despite the added business of producing a short film during the festival, set to shoot on the Sunday immediately after, I STILL didn't miss any of the films I was scheduled for. Quite unusual.
Waltz With BashirAn Israeli, animated, docudrama. Definitely an extraordinary film with an amazingly smooth narrative given the subject matter of blocked memory. But good luck finding it outside of the festival. The subject matter is grim, but a very fascinating film worth seeking out. Great way to start.
JCVDHolee crap! Jean-Claude Van Damme plays himself with startling brutal honesty. And he can act! And it was good! Really out of the ordinary stuff. Pretty cool.
PasschendaeleWW1 flick. Canadian. Very Canadian. Could’ve been a CBC movie of the week. The kind I would’ve watched for about 2 minutes before moving on. A painful a.m. screening experience to follow after a midnight screening. Good battle scenes at end do NOT make up for what you had to go through to get there. Weak. And definitely the worst title of a war flick in recent memory, regardless of historical significance. Sounds like a new Snapple flavour.
RocknrollaAn obvious favourite of many. A triumphant return to form for Guy Ritchie. No let down here, but no “Lock, Stock” either. Those interested will dig it.
VinyanStylish and initially compelling premise… eventually turns surreal and ultimately non-sense ensues. Potentially a parent’s worst nightmare if it stayed within a modicum of reality. Some cool visuals though.
Nick & Norah’s Infinite PlaylistFun little film set in NYC after hours, great soundtrack, nothing wrong with story, but ultimately not extraordinary.
Ghost TownFans of Ricky Gervais will enjoy him in this as I did, but this one also walks a fine line between being fun in the moment but not being terribly special in afterthought.
A Film With Me In ItThe most pleasant surprise for me at the festival. A simple premise, an excellent script for a dark screwball comedy. Answers the question: What if “Very Bad Things” was in fact a clever, better, Irish film? Thoroughly enjoyed this one.
ReligulousThe religiously fanatic are easy targets when in the sights of Bill Maher, but that doesn’t make it any less funny. What doesn’t work that well is after 85 minutes of laughing at the absurdities of life are the dire overtones we’re subjected at film’s end suggesting a true apocalypse is in fact nigh if we don’t put a stop to blind, fanatic faith. Would’ve stuck around for the Q&A if director Larry Charles decided to dress in his black suit WITHOUT the pink crocs. (WTF?!)
Witch HuntA documentary about wrongfully convicted people accused of child molestation. A nightmare scenario, a miscarriage of justice with 33 judgments overturned, but despite the gripping subject matter, this doc crawls its way along and felt a bit unprofessionally one-sided at times.
The Hurt LockerIf I hadn’t been at this, I wouldn’t have met one of my heroes, director Danny Boyle. That said, the film was slick, explosive, and very tense and pretty good but I couldn’t help but feel it was a bit predictable. Don’t want to spoil this for anyone, but for those in the know, the only thing missing here were the red Star Trek uniforms.
The WrestlerDefinitely an exceptional stand-out film for this year’s fest, great performance by Mickey Rourke (and Marisa Tomei) and a harrowing look at what could await virtually any entertainer in their later years. Excellent.
Flame & CitronWWII Danish resistance assassins. Based on a true story. You had me at WWII, but this one delivers pretty well on many levels so it didn’t disappoint. Fascinating history, and as the director pointed out, a movie could be built around any one of the many real-life subjects.
Slumdog MillionaireThe People’s Choice Award Winner, and no surprise there. A real crowd pleaser and expertly done. Danny Boyle does it again, although this is by no means my favourite of his work, it would be a tall order to top his own stuff as some of it ranks among my all-time favourites.
GoodSometimes you know what your about to see is going to be so-so, and this one seems to be missing “Not That…” in front of its title. Adapted from a play, and it sure feels like it. They can’t all be winners. This is where the weak streak began.
Fifty Dead Men WalkingWas the Irish brogue too thick or the audio too poor? The consensus seems to be on the latter. Not a waste of time, not all that engaging. Perhaps a victim of high expectations.
UncertaintyThe title of this flick also summed up how I felt about going to it. If I was going to skip one, this would’ve been it. A tale of a couple that flips a coin to decide how to spend their day. Through the magic of cinema, we’re able to see what would happen with both choices… problem is, we’d only care about one of their stories while the other would generously be called filler. Which one you’d like best is up to you, but it’s doubtful you’d be interested in both.
Flash Of GeniusA compelling true story where the honest little guy takes on the huge monster evil corporation. Greg Kinnear is always good and the tale is as much about determination as it is sacrifice, but perhaps this one moves a little too slowly to get where we all know it’s heading.
PontypoolArguably, my most anticipated flick and no let-down at all. My first thought: “Thank God it LOOKS good.” A new film shot with the Red Camera, and looks terrific. That gave way to a very well established mood, creepy stuff and theatre of the mind kind of approach. There’s an original and potentially troubling device for this not-quite-but-sort-of a zombie flick that will lose some and intrigue others. A small film not afraid to set itself defiantly in Northern Ontario. I definitely liked it a lot (despite the “what the-?” moment) and Stephen McHattie was terrific as radio personality Grant Mazzy. Nice one, Bruce!
L’Instinct De Mort, aka Public Enemy Number One, Part 1, aka MesrineThe film with the biggest identity crisis described as the “French Scarface” had three names. The life of a violent sociopath with few redeeming qualities is profiled with a kind of dangerous Machaevellian approach that flirts with glorifying violence but it seems clear what kind of road this criminal is headed for, so it’s OK. I’m certainly interested in Part 2, just not sure when I’ll have the chance to see it.
The GhostRussian ailing spy novel writer sparks an unusual collaboration with a hitman who becomes his muse. Very compelling until the third act takes a very drastic left turn, leaving credibility behind in the dust. Can’t help but think a few loose ends tied might’ve saved it. Quite stylish, not entirely without redemption at the end but some strong suspension of disbelief required to take it all in.
Most desired film that I couldn’t get to:
“Synecdoche, New York”The ones that weren’t that great had at least worthwhile moments or some kind of element that made it watchable. Even Passchendaele had a cool battle scene at the end.